Erik Lensherr (
diecastking) wrote2013-11-25 10:40 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Entry tags:
XMFC/Down and Out
Erik remembers New York vividly. He has been to the city many times, as man and boy, hunter and prey.
He has stayed in the best hotels Manhattan has to offer, but he is most at home on the streets. Among the homeless and destitute, he feels more at ease than he ever has in university libraries or officious banks. These are his people: the disenfranchised and dispossessed.
Erik knows, at heart, he is a soldier, a killer. He has been deluding himself that he was tamed, a housecat, a man fit to be a companion - a father.
No more.
The illusion has shattered and he knows now he is a man who would rather see the love of his life murdered than survive in captivity. He could not suffer to see Charles suffer, so he preferred to snuff out his life.
Even days later the thought makes him sick. Erik pulls his old greasy coat closer around him, the disguise for which he traded his leather jacket. He has some money in his pocket for food, but his bike is stashed where no one can find it and he doesn't know if he can bear to look at it again.
He can't bear to be reminded of what he's thrown away by reverting to nature.
He has stayed in the best hotels Manhattan has to offer, but he is most at home on the streets. Among the homeless and destitute, he feels more at ease than he ever has in university libraries or officious banks. These are his people: the disenfranchised and dispossessed.
Erik knows, at heart, he is a soldier, a killer. He has been deluding himself that he was tamed, a housecat, a man fit to be a companion - a father.
No more.
The illusion has shattered and he knows now he is a man who would rather see the love of his life murdered than survive in captivity. He could not suffer to see Charles suffer, so he preferred to snuff out his life.
Even days later the thought makes him sick. Erik pulls his old greasy coat closer around him, the disguise for which he traded his leather jacket. He has some money in his pocket for food, but his bike is stashed where no one can find it and he doesn't know if he can bear to look at it again.
He can't bear to be reminded of what he's thrown away by reverting to nature.
no subject
no subject
Erik grasps him tightly to him, as the little boy cries into his coat. "Where did you go, Papa?"
"I am back now."
no subject
"Don't go away again."
no subject
no subject
"Papa will be here in the morning, sweetheart."
no subject
"Not letting go," he says, stubborn as his Papa and Daddy combining.
no subject
"But he'll come and get you up in the morning, alright?"
no subject
"Goodnight, mausi," Erik says before reluctantly pulling away.
no subject
"What now?" He asks, unsure if Erik will want to go straight to bed or not.
no subject
"I fear, Charles, I am not fit for your fine cotton sheets."
no subject
"But if you insist, we do own a rather splendid bath tub."
no subject
"You just want an excuse to fill it with bubbles."
no subject
"But... we don't have to. If you'd rather have a quick shower."
no subject
Erik is quiet, hopeful, miles away from his usual confidence.
no subject
"You can shower on your own, though. I take up too much space."
no subject
He holds open the door to their bedroom. "After you."
no subject
"Our bathroom, our bath. My bubbles."
no subject
He is warm, for the first time in days, and the ghosts from the drawing room recede from the powerful heat of his love for Charles, with Charles. Their love.
no subject
//Always that.//
no subject
He carries him through to the bathroom and sets him oh-so-gently on the chair, running the bath hot as his eyes constantly flick back to his lover. To check he is there, he is real.
no subject
"Or are you just going to watch? Because I'm not the dirty one."
no subject
no subject
"You can stare at me all you want. I'm flattered by the attention."
no subject
But he does not want Charles to dwell on that. He hurries to slip into the bath behind Charles, drawing him close and running his hands over his damp skin.
no subject
"Welcome home."
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)