Erik Lensherr (
diecastking) wrote2012-02-14 08:12 pm
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Entry tags:
XMFC/After School Special
The first day of school is chaos.
Breakfast is a riot but Alex somehow gets the teeming hoards toast and cereal before class. Erik has a free first period, so he runs around the grounds and showers before his first lesson of the day: Seventh Grade (or First Form, as Charles insists on calling it).
The eleven-year-olds are somewhat in awe of him as he draws a map of Europe on the blackboard and starts laying out the alliances preceding World War I. Charles has given him free rein to choose his curriculum and he has a penchant for modern history. There won't be much Mayflower in his teachings.
After a strong cup of coffee, Erik teaches the Eleventh Grade about the economics behind the Wall Street Crash. He doesn't have a chance to catch Charles at lunch before he meets with his House. These are the students that he's supposed to see for two hours per week and coach through their powers. He'd already decided that he would have the field behind the orchard for this purpose.
The House of Silver (he would not listen when Alex said that silver wasn't a real colour) is comprised of students from all years with differing abilities. After learning their names and what they believed of their power, Erik goes through some basic exercises with them, sounding out how much control they have and how at ease they are with their abilities.
"Mr Lensherr," one of the children - a boy called Tommy - asks nervously, "what can you do?"
Which leads to Erik twirling the satellite dish like a ballerina and several rounds of applause. Embarrassing. Also, exhausting. He's getting too old for this.
He doesn't see Charles at dinner either but he finally flees to the quiet of the drawing room, just resting his eyes for a second.
Breakfast is a riot but Alex somehow gets the teeming hoards toast and cereal before class. Erik has a free first period, so he runs around the grounds and showers before his first lesson of the day: Seventh Grade (or First Form, as Charles insists on calling it).
The eleven-year-olds are somewhat in awe of him as he draws a map of Europe on the blackboard and starts laying out the alliances preceding World War I. Charles has given him free rein to choose his curriculum and he has a penchant for modern history. There won't be much Mayflower in his teachings.
After a strong cup of coffee, Erik teaches the Eleventh Grade about the economics behind the Wall Street Crash. He doesn't have a chance to catch Charles at lunch before he meets with his House. These are the students that he's supposed to see for two hours per week and coach through their powers. He'd already decided that he would have the field behind the orchard for this purpose.
The House of Silver (he would not listen when Alex said that silver wasn't a real colour) is comprised of students from all years with differing abilities. After learning their names and what they believed of their power, Erik goes through some basic exercises with them, sounding out how much control they have and how at ease they are with their abilities.
"Mr Lensherr," one of the children - a boy called Tommy - asks nervously, "what can you do?"
Which leads to Erik twirling the satellite dish like a ballerina and several rounds of applause. Embarrassing. Also, exhausting. He's getting too old for this.
He doesn't see Charles at dinner either but he finally flees to the quiet of the drawing room, just resting his eyes for a second.
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He reaches for the lube from their bedside table.
//Tell me I own you//
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Charles looks more confused than concerned.
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//Do I own you, Charles? Right now, I could make you do anything I want//
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//Yes. Alright. You own me.//
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//I'm going to take you. Because you belong to me//
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//Do it//
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//Patience. I decide what I do to you//
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//Do you want me? Tell me//
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Even speaking telepathically, Charles' words come out gasped and desperate.
//More. Please.//
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But he's in control. Charles is trusting him.
//I will decide what happens next// He's impressed that his mental voice doesn't waver, even though he's desperate to be inside his lover.
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"Please."
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//Stop teasing me, Charles//
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//Tell me what you want. And I'll think about giving it to you//
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Even that much has him blushing.
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He withdraws his fingers, uses a generous amount of lube on his cock and lines himself up.
Then, without warning, he presses inside, filling Charles with his own moan of pleasure.
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//I want to hold you// he begs.
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//Hold me//
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//I love you//
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He pushes deeper into Charles, angling for his sweet spot.
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